Director / Writer Dana Ziyasheva Talks About 'Defenders of Life'
Director Dana Ziyasheva made her directorial debut, 'Defenders of Life' which focuses on the Ngäbe community, and the hardships Ngäbe girls faced in Costa Rica.

La Traviata’s sumptuous melodies and timeless depiction of doomed love have made the work a favorite of generations of operagoers. In his approach to this classic drama, director Willy Decker sets the action on a nearly bare stage, focusing the audience’s full attention on the three main characters. As Violetta, the ailing courtesan desperate to escape her past, soprano Sonya Yoncheva offers a fearless and sympathetic performance from beginning to end. American tenor Michael Fabiano sings with ardent longing as her devoted lover Alfredo, delivering emotionally wrought phrases and ringing top notes. Thomas Hampson brings a burnished baritone to Germont, Alfredo’s protective father whose stern demands spell disaster for the young couple. On the podium, maestro Nicola Luisotti leads an electric performance of Verdi’s unforgettable score.
Director Dana Ziyasheva made her directorial debut, 'Defenders of Life' which focuses on the Ngäbe community, and the hardships Ngäbe girls faced in Costa Rica.
This is a movie that combines a ghost story, revenge tale, and serial killer obsession into a cinematic experience that uses your fears against you.
I hadn’t heard of it either until recently—and yet, it’s one of the highest grossing movies of all time.
Overall, Sand Castle was another lack luster war drama that will eventually fade into the many similar war dramas I have seen throughout my life.
"Come Play" was entertaining and had some great ideas about how to scare children away from playing with facial recognition settings.
(Disclaimer: Harmful Language) In celebration of Pride Month, Father's Day, and father figures (and whoever supports you), I revisit Moonlight's brief but spectacular character, Juan. With overarching themes tied to masculinity, I reexamine his intimacy with Little.