
In the middle school, the pawn Paul Watrin spends his sad life, in the middle of a people of cheeky and mocking kids for whom he is the enemy, the whipping boy. Only Pierre Launay, a studious child with a pitiful heart, defends the old pawn and his son against the incessant attacks of this cloud of pranksters and his affection consoles the poor man for his daily miseries. However, a drama unfolds in the child's family.
Star Wars is better if you believe that Luke Skywalker is gay. You can't change my mind.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
While Mortals Sleep is enthralling quick-fix horror that offers thrills and excitement with such a short runtime and left me truly impressed with all levels of filmmaking.
Featured in Incluvie’s 2020 Film Festival, Kung Fu Chit tells the story of a girl who doesn’t quite fit in.