‘The Little Mermaid’: Halle's Musical Debut Rockets to $400+ Million Dollar Box Office
Halle's belting, crystal clear notes, and warm tone infused something into this blockbuster that I thoroughly enjoy.
The Mating Game (1959)
Tax collector Lorenzo Charlton comes to the Larkins' farm to ask why Pop Larkins has never filed an income tax return. Charlton has to stay for a day to try to estimate the income from the farm, but it isn't easy to calculate when the farmer has such a lovely daughter.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Tax collector Lorenzo Charlton comes to the Larkins' farm to ask why Pop Larkins has never filed an income tax return. Charlton has to stay for a day to try to estimate the income from the farm, but it isn't easy to calculate when the farmer has such a lovely daughter.
Rating:
Genre:Comedy, Romance
Written By:William Roberts
In Theaters:4/29/1959
Box Office:
Runtime:96 minutes
Studio:Metro-Goldwyn-Mayer
Articles You May Like
Ranking The Purge Films from Worst to Best
Ranking The Purge films gives us one forgettable film, two mid-tier movies, and two horror masterpieces. This list can help you decide which films to watch first!
‘Midnight at the Paradise’ is a Love Letter to Film, Music, and the City of Toronto
'Midnight at the Paradise' premieres tomorrow at Toronto's Paradise Theatre! I had the pleasure to sit down with Vanessa Matsui to discuss the making of this film.
Demons and Hair Cuts: A Movie Review of “Sweeney Todd”
As a musical fan, I enjoyed the film and encourage anyone who likes dark humour and a bit of blood to give it a watch.
The Gap Between 'You' Season Two and Three Was Almost Two Years...was It Worth the Wait?
Season three of Netflix’s "You" has finally made its comeback! Was it worth the wait? Well…I would not say so. It felt like a bit of a chore to get through. But, as I am somewhat of a completionist, I eventually saw the season through to the end.
"The Father" is a Depressing But Insightful Look at Dementia
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.