Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
The Massacre of Anroechte poster

The Massacre of Anroechte 

Nothing special happens in the quiet, peaceful, and sad German city of Anröchte. Until the day in which its residents’ daily lives are disrupted by strange events: Hun knights armed with sabers perpetrate an arbitrary massacre for no apparent reason, decapitating people at random. Inspector Konka arrives in town to solve the mistery, along with his faithful assistant Walter, a philosopher type who reflects on the human condition as he wanders the melancholic streets of Anröchte.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Nothing special happens in the quiet, peaceful, and sad German city of Anröchte. Until the day in which its residents’ daily lives are disrupted by strange events: Hun knights armed with sabers perpetrate an arbitrary massacre for no apparent reason, decapitating people at random. Inspector Konka arrives in town to solve the mistery, along with his faithful assistant Walter, a philosopher type who reflects on the human condition as he wanders the melancholic streets of Anröchte.

Rating:
Genre:Comedy, Crime
Directed By:Hannah Dörr
Written By:Wolfram Lotz
In Theaters:
Box Office:

Runtime:63 minutes
Studio:Theater Oberhausen, öFilm Dörr & Schlösser GmbH

Articles You May Like


"Him" (2025) Film Review-The realities of making the grade in professional sports gets a cultism-driven, horror film makeover

"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.

Kirk Fernwood