A young woman, Molly Marble, is enmeshed in a train robbery by her crooked step-father. She meets a stranger, Jeff Morton, and suspects he knows where the loot is hidden. For the sake of her relatives, she must try to 'vamp' this information from him but, instead, she falls in love with him.
If I had truly wished to witness "Guardians of the Galaxy", I would have stayed home to do so. Instead, I went to the IMAX and took in this newest incarnation of one of the most recognized and adapted superheroes in the DC Universe. **Sigh** Let me be clear here. I am NOT saying this is an AWFUL film.
As a huge fan of Sean Baker’s Tangerine, The Florida Project, and Red Rocket, I’ve wanted to watch Anora since before it even was released. But life got in the way, my watchlist grew, and honestly, the fact that it was marketed as a romantic comedy put me off. Even with all the critical praise and the five Academy Awards it won last year, I just kept postponing it indefinitely.
Adam Sandler goes hard as an NBA scout in this male-heavy sports-drama.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
It’s fun, it’s energetic, but it’s also understated and vicarial. Zola is a modern black fairytale and future of black movies.
Marvin Gaye's powerful music addresses the same themes as "Da 5 Bloods" and elevates the film to even greater heights.
