Sherlock Holmes has retired. But when MacDonald asks him to take on another case, he says yes. There have been some mysterious murders, and there are no visible causes for the deaths. At the same time Holmes gets this case, Graf Udo Von Felseck gives him another case: find a young and missing prince to prevent war between Germany and England. But Von Felseck is not as honest as he seems...
Roy Ward Baker
Director
Peter Cushing
Sherlock Holmes
John Mills
Dr. John H. Watson / Narrator
Anne Baxter
Irene Adler / Mrs. Norton
Ray Milland
Home Secretary
Anton Diffring
Graf Udo Von Felseck
Gordon Jackson
Inspector Alec MacDonald
Marcus Gilbert
Anton Von Felseck
Susan Penhaligon
Miss Derwent
Jenny Laird
Mrs. Hudson
Russell Hunter
Alfred Coombs
James Cossins
Frederick Bains
Emma Stone (Estella and Cruella) and Emma Thompson (the Baroness) did not come to play around in Cruella. They embodied the perfect balance of sinister and sincere. Estella went through a great hero's journey, and what a journey it was!
'Legally Blonde' remains a standard of feminist filmmaking over two decades after its release, although its poor treatment of racial and sexual minorities make it a product of its time.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
Check out the ABCs of Abbott Elementary - Cast & Reviews - In 'Abbott Elementary' showrunner and star Quinta Brunson highlights common issues among teachers deserving of Superhero Status.
Animation as a medium of storytelling can be thought to be open to all ages and as I hope my readings will reveal, they could be interpreted as transgender stories.
Korean pop culture has mastered emotions as both a scientific field and an artistic revolution. Think of how K-Pop and K-Dramas have taken over the world. How? Simply put — they are addictive. How are they addictive?