The Man Who Saw the Bear 

Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.

True crime media is notoriously obsessed with the “missing white woman” trope, and yet the vast majority of American murder victims are male, and well over half are people of color.

A collection of the ten best films that captured William Shakespeare’s pathos the best, both for the diversity they bring, and of course “the aesthetic."

'Selena: The Series' loses sight of the story's heart: Selena herself.

A story about precarious tricks and unstoppable discipline to inspire young viewers. They'll learn that like any dream, achieving Cloud 9 is possible.