Alberto Oliver, an unsuccessful pulp novelist, is attacked by alien mutants when he comes back from visiting his lover Carol. Soon he finds himself chased by a flying saucer that tries to abduct him and take him to a distant planet in an anti-matter galaxy.
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.
Laggies is a fantastic movie, filled with down-to-earth characters, transcendent themes, and witty comedy
“Synchronic” is special, but it doesn’t succeed in achieving all the objectives it aims for. The film is a science fiction oeuvre which tries to be cerebral at some points, although the original idea is interesting, it only accomplishes to talk about some serious matters superficially.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
When you think of the horror genre, the LGBTQ+ community is probably one of the last things you think of. However, horror is much more queer-coded than you may think.
‘Run Sweetheart Run’ has everything women fear the most, from psycho boyfriends to tampons.
