Not So ‘Brand New’ Cherry Flavor
The fun tricks used in the production design and lighting read extremely well on-screen but hardly fulfill their purpose of trying to inject glamour into a lack-luster story with nothing to say.

Beware the ire of the sacred God Ammett, or any other of those Egyptian Gods for that matter. As a bellhop in a hotel, Hughey managed to get possession of a wonderful ruby, the eye of Ammet, and with its aid obtained an introduction to a millionaire and his beautiful daughter. But Hughey failed to remember that for every ruby or other gem stolen from an Egyptian shrine, there is a bearded sheik who has taken a vow never to eat, drink or sleep until the talisman has been returned to the irate God from whom it was stolen, and vengeance has been wrought on the guilty one. Just when Hughey is enjoying himself immensely at a fine little dinner with the fair damsel, his nemesis, the sheik, discovers him and a lively chase takes place. The sheik gets the ruby in his possession but Hughey regains it in jig time and the prospects are that the poor sheik will have some wait before he can look a square meal in the face again.
The fun tricks used in the production design and lighting read extremely well on-screen but hardly fulfill their purpose of trying to inject glamour into a lack-luster story with nothing to say.
A film loosely based on the fairy tale Hansel and Gretel, with major twists to the original story.
Disney has hopefully learned some lessons since 1994. Are those lessons reflected in the 2019 remake of "The Lion King?"
An indie production of a romantic drama with a country-western feel meant to explore lost love.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
When you first hear that there is a series on Netflix where the lead character’s wife dies from cancer and he becomes dangerously suicidal, you wouldn’t immediately assume that it’s a comedy.