The 30-year-old Fabo wanders aimlessly through the night and drowns his frustration in alcohol.
The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.
Even with its straightforward premise, “Richard Jewell” is ramped up by exceptional drama. In all honesty, the performances are out of this world. As Jewell, Paul Walter Hauser becomes a walking representation of gullibility. His bumbling antics create the perfect hero, and very quickly, we feel the societal heat that surrounds our protagonists.
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.
"13 Going on 30" tracks the tricky transition from adolescence to adulthood.
Growing up is a challenge for everyone.
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.
