Dead Poets Society Steals a Queer Story
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
The Maid at the Helm (1911)
The voyage of the "Minnehaha" ends in disaster, and everyone, with the exception of Captain Barker, his daughter Elizabeth, and the mate, Bill, perish. Picked up by the whaler "Dakota" all seems well at first but Bill, half-crazy from exposure, becomes insanely jealous of the ship’s Captain Treavor. He accosts Elizabeth, who fights him off with Treavor coming to her aid. At one point he overpowers the remainder of the crew by taking them unawares and orders the ship to be put under way. Elizabeth, however, releases her father and the crew and retakes the ship. With Bill safely captured and bound with ropes the men give rousing cheers of thanksgiving for preservation from a sudden death.
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The voyage of the "Minnehaha" ends in disaster, and everyone, with the exception of Captain Barker, his daughter Elizabeth, and the mate, Bill, perish. Picked up by the whaler "Dakota" all seems well at first but Bill, half-crazy from exposure, becomes insanely jealous of the ship’s Captain Treavor. He accosts Elizabeth, who fights him off with Treavor coming to her aid. At one point he overpowers the remainder of the crew by taking them unawares and orders the ship to be put under way. Elizabeth, however, releases her father and the crew and retakes the ship. With Bill safely captured and bound with ropes the men give rousing cheers of thanksgiving for preservation from a sudden death.
Rating:
Genre:Drama
Written By:Francis Boggs
In Theaters:12/7/1911
Box Office:
Runtime:14 minutes
Studio:Selig Polyscope Company
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