Is Disney Finally Learning?
Disney has a glaring and, up until recently, unaddressed issue that spans nearly its entire lifetime - an absence of diversity.

On a barren world almost devoid of life, the only efficient way of distributing essential supplies and cargo between the isolated pockets of civilization is by using giant zeppelin-like airships. Unfortunately, these massive craft are also easy targets for the wolves of the air - sky pirates, who hijack aerial commerce and slaughter the crews. That's where birds of prey like Kylie, Reona, Chika, Emma, Kate, Zara and their Nakajima Ki-43 Hayabusa fighters come in. In a deadly business where a single mistake can mean instant death, the lady falcons of the Kotobuki Squadron will outfly and outshoot anything else in the stratosphere! Get ready to venture where only Angels dare to tread as the epic TV series becomes a spectacular motion picture.
Disney has a glaring and, up until recently, unaddressed issue that spans nearly its entire lifetime - an absence of diversity.
Adventure Time, Legend of Korra, Steven Universe, The Loud House, The Hollow, OK-K.O.! Let’s Be Heroes, The Dragon Prince, etc!
The gentle, emotional nuances of Evan’s coming-of-age story would have been so beneficial to have incorporated into the life of a POC character. Showing a Black, Asian or Latino young man that is afforded the space to be vulnerable, flawed and sensitive while driving a compelling and widely-loved narrative would have been a game changer.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
If you want to feel the rush, you have to take the risk.