The Magic Weapon 

Joker is a compelling, character-driven, psychological tale that has a message behind the madness.

The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.

What makes The Matrix saga fascinating is the symbolism of caves and trans allegories

Adam McKay might have been more concerned with cramming cameos than he was in this story which is a bloated criticism of the rich and famous… delivered unto us by the rich and famous. 

Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.

Chickenhare and the Hamster of Darkness explores true identity through exploration.