“Dangerous Lies” is as Predictable as Can be
The film may be a thriller, but I wasn’t thrilled by it. If anything, I was bored and annoyed.

Let Mistress Misty (Debbie Rochon) guide you through three tales of the full moon as she follows the stories of different werewolves and how they handle their curse, gift or simple way of life.
The film may be a thriller, but I wasn’t thrilled by it. If anything, I was bored and annoyed.
A surprise sequel takes place ten years after the original movie based on the title of the same name, but with a twist to the fairy tale.
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.
The Resort has an excellent climax surrounded by disappointments. Somehow, at a mere 75 minutes, this movie still manages to be 70 minutes too long.
Disguised as a cosmic highway horror, Alexander Ullom’s It Ends is a beautiful, albeit terrifying, metaphor for learning that if you want to survive adulthood and become your own person, you have to learn to let people go.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.