Getting Lost in Amsterdam
Amsterdam is a confusing movie with a meandering plot amidst a beautiful rendering of 1930s New York

An adaptation of “The Courier for Hell” (“Meido no Hikyaku”) by Chikamatsu Monzaemon (1653-1725).
Amsterdam is a confusing movie with a meandering plot amidst a beautiful rendering of 1930s New York
Asha, the main character, is a biracial woman who discovers the power of magic wishing dust.
The Djinn is about childhood traumas and lifestyle changes. It tells the story of Dylan (Ezra Dewey), a mute boy who blames himself for his mom’s death. He also condemns himself for being speech-impaired, and he thinks that if he did not have that condition, everything could had been different.
“Nobody 2” is the kind of sequel you expect to roll your eyes at—and then end up grinning through the whole thing. Bob Odenkirk proves once again that an ordinary-looking guy can be the most entertaining action hero alive, battling cartels with harpoons, deep fryers, and pure chaos. Toss in Sharon Stone as a delightfully over-the-top villain, and you’ve got 89 minutes of wild, joyful mayhem that reminds you why going to the movies is just plain fun.
Like most young people, Leviticus is imperfect. But I love it anyways.