Julien and Agatha appear to be a great couple, loving, caring and seem to feel complete with each other. Though Julien often gives the impression of being interested in other girls, his lover doesn't care all that much and sometimes even looks like she's encouraging him to do that. It all changes when they meet an American woman who'll change their lives and their perception of love.
Roger Kahane
Director
Mireille Darc
Agatha
Alain Delon
Julien Dandieu
Jane Davenport
Madly
Valentina Cortese
Eva
Pascale de Boysson
Lucienne
Van Doude
L'acheteur de la canne-épée
Billy Kearns
L'acheteur américain
Carlo Nell
L'épicier ambulant
Jean-Louis Le Goff
L'acheteur des fauteuils
Jean Rupert
L'automobiliste
Muse Dalbray
La femme de l'acheteur américain
Carolina Caroline follows Caroline (Samara Weaving), a bored young woman dreaming of escaping a small Texas town where nothing ever happens. When she meets Oliver (Kyle Gallner) at her workplace while he is conning the owner, she sees her perfect opportunity to get out. Their whirlwind romance strongly echoes Bonnie and Clyde, as the two quickly embark on a bank-robbing spree.
If you mix religious rituals with dark mythology, the result will be effective, and the story powerful in 90% of the cases. That is exactly what happens at the beginning of The Vigil.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
Frozen II is not quite direct to DVD Disney sequel level, but if it wasn’t for the spellbinding animation and budget, it certainly would be.
The makings of a great midseason filler episode that would connect in many different directions. This is a police drama filler with a guest director.