“Concrete Cowboy” (2021) Review: An Endangered and Unknown Subculture
Ricky Staub’s Concrete Cowboy, based on Greg Neri’s novel "Ghetto Cowboy", tells the story of a young teenager forced to adapt to a new lifestyle.

This Lost World is a splendid BBC TV dramatisation of Sir Arthur Conan Doyle's famous adventure story. Bob Hoskins makes an unusually genial Professor Challenger, far less of a bully than Doyle's character, but his slightly stereotyped companions are nicely filled out by a solid cast. James Fox is Challenger's more timid but still covertly adventurous rival, Tom Ward is the moustachioed big game hunter who faces an Allosaurus with an elephant gun, and Matthew Rhys plays the tagalong reporter hoping to impress his faithless fiancée.
Ricky Staub’s Concrete Cowboy, based on Greg Neri’s novel "Ghetto Cowboy", tells the story of a young teenager forced to adapt to a new lifestyle.
The documentary depicts the indigenous people of Mexico with sublime reverence, highlighting a generational harmony with the land.
Two movies that do a fantastic job in conveying the ongoing struggle for racial justice are Selma (2014) and Just Mercy (2019).
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
Starring Jake Gyllenhall and Yahya Abdul-Mateen II, 'Ambulance' is a film not only about a bank heist gone wrong, but also about brotherhood.