Unknown to Reuben Warren, the foreman of an ironworks, his invention, the volta-dynamo, was stolen years earlier by his employer, Knowlton, and is the foundation for the iron magnate's financial empire. Reuben is in love with Knowlton's daughter Margaret, who is engaged to Ralph Standish, the son of Reuben's deceased mentor. A strike against inhumane working conditions at the mill coincides with the discovery of Knowlton's theft by Reuben, who confronts the employer with proof of his treachery. Margaret later breaks her engagement to Ralph and proclaims her love for Reuben. As Margaret's husband, Reuben now owns half of the mill and gladly meets the strikers' demands. -From TCM.com Database, powered by the AFI.
J. Searle Dawley
Director
H.B. Warner
Reuben Warren
Catherine Carter
Margaret Knowlton
Mark Price
Andrew Knowlton
Arthur Hoops
Ralph Standish
Rita Stan
Nell
Amy Summers
'Cinders' (as Amy Sumers)
Phil Tead
Billy Hopkins (as Phillips Tead)
Trixie Jennery
Kate
Wellington A. Playter
Schwartz
Augustus Balfour
Joe Barrett (as August Balfour)
Marcus Moriarity
Old Bensel
Escape The Field is a serviceable horror thriller. The characters are easier to remember as horror character tropes. As I wrote this review, I only remembered the characters by their tropes: #FinalGirl, #Everyman, #Badass, #MeanB*/SexyGirl, #Realist/BlackLesbian, and #TheNerd.
Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.
Trigger Warning with Killer Mike, a part of Netflix's Black Lives Matter Collection, features different social experiments showcasing the larger state of race relations in our society.
This year, in light of the pandemic and the inability to gather with our loved ones, a few of our staff members reviewed their favorite holiday films with the hope of recreating some of the sentimentality that reminds us of home.
Naked Gun: The New Police Squad Team delivers exactly what fans want: relentless, expertly crafted chaos that honors the original while cranking everything up to eleven. The gags fire at machine-gun pace—sight jokes layered with wordplay and physical comedy so outrageous it borders on art. It's gleefully self-aware without being cynical, silly without being stupid, and maintains that perfect ZAZ-style balance of treating absolute absurdity with complete seriousness. The film knows exactly what it is: a comedy missile designed for maximum laughs, and it hits its target with surgical precision. Pure, unhinged entertainment that proves spoof comedy still has plenty of life left in it.
It is as bad as your remember, and you are fortunate if you've never watched it. Keep it that way!