The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

Traversing the continent’s most rugged shoreline and dodging the tidal surge of the Pacific Ocean, the United States ultra-runner Dylan Bowman attempts the Fastest Known Time for traversing California’s Lost Coast. Shrouded in myth – and fog – the Lost Coast describes a section of California coastline so forbidding that it stymied even the most dogged engineers, who carved Highway One out of thousands of miles of West Coast forests and beaches. Highway One, which (often in combination with Highway 101) stretches from Orange County to Canada, makes only one exception to its coast-hugging route: the Lost Coast, where it veers inland, defeated by the vertiginous cliffs of the King Range.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
As an Indian lesbian living in the United Kingdom, the cards are stacked against Geetika from the start.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
'Thirteen Lives' gives a dramatic adaptation of a humanitarian triumph that captured the global imagination.
It's chock full of dream-come-true moments for Spidey fans, but its lack of substance reeks of a self-indulgence that is rare even in fan fiction
This Agni Kai looks cool and is funny as well!