Let’s Hope Disney’s “Hercules” Remake isn’t Another “Aladdin”
Here's what Disney got wrong with "Aladdin" and how it can avoid those pitfalls with "Hercules."

A young boy is hired as a lift attendant in a grand hotel when his mother dies. To fulfill his dream, he takes part in a competition organized by the manager, and wins 1st prize: a two-day stay in one of the princely suites. He wants to share the experience with his young girlfriend, the florist, but discovers that she has betrayed him and returns to her elevator.
Here's what Disney got wrong with "Aladdin" and how it can avoid those pitfalls with "Hercules."
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
Facing the world with our fair share of uncertainties and/or apprehensions, many of which, sadly, may be well-founded, is nothing to sneeze at. Influenced and buffeted by the constant barrage of social media, fake news, and general upheaval present in our contemporary reality, what IS real and what's not becomes a blur.
Anna May Wong was a talented actress and a fashion icon and still had to fight for everything she had due to hatred and racism.
Elio could be seen as fantastic piece of representation, showing lonely children who feel ostracized that they are not alone. That is, unless you look behind the curtain.
Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.