Go and Tell Everyone About 'Candyman'
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.

An unprecedented piece of news spreads through the village: a comrades’ court is to be held between collective farm brigade leader Yakiv Brus and an old woman named Motria, whom he struck on the head. The village club fills with people eager to sort out what seems to be every pressing issue at once.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
A consumed-by-rage woman travels from universe to universe to avenge the death of her daughter by brutally killing her murderer over and over again. And that's all that she does.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.