Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
The Limit Of poster

The Limit Of (2018)

James Allen "Laurence O'Fuarain" is a successful, controlling, thirty-something banker living alone and working in Dublin city at the tail-end of the recession. When a family tragedy occurs at the hands of his employer he decides to take action which forces him to face a terrible childhood secret. Meanwhile, his mysterious co-worker Alison "IFTA - nominated - Sarah Carroll" has her own agenda, which puts her on a collision course with James, triggering a dark spiral of deceit, revenge, and murder. Director Alan Mulligan's first feature is a deliberate and slow-paced look at modern day greed and desire, and society's ever-growing need for control.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


James Allen "Laurence O'Fuarain" is a successful, controlling, thirty-something banker living alone and working in Dublin city at the tail-end of the recession. When a family tragedy occurs at the hands of his employer he decides to take action which forces him to face a terrible childhood secret. Meanwhile, his mysterious co-worker Alison "IFTA - nominated - Sarah Carroll" has her own agenda, which puts her on a collision course with James, triggering a dark spiral of deceit, revenge, and murder. Director Alan Mulligan's first feature is a deliberate and slow-paced look at modern day greed and desire, and society's ever-growing need for control.

Rating:
Genre:Thriller
Directed By:Alan Mulligan
Written By:Alan Mulligan
In Theaters:10/7/2018
Box Office:

Runtime:89 minutes
Studio:

Articles You May Like


"First Girl I Loved": A Well-Intended but Ultimately Flawed Story of Identity

Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian. 

Marisa Jones