
After losing her father in the sea, Rosa is lodged in the house of the lighthouse keeper João Vidal. António Gaspar, also a lighthouse keeper, loves Rosa. His jealousy of João Vidal will provoke the death of Rosa, an act that the mother of António will help to cover up.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
After years of mediocrity, Thunderbolts* is the welcome change MCU fans were waiting for.
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.
Monster's plot is built around Steve Harmon's false accessory to felony murder accusation, and the anxiety and desperation experienced by him during incarceration and the corresponding trial.
One Christmas Eve, after a sudden snowstorm, a group of teenagers will discover how their lives will change forever.