‘Fast Color’: A Strikingly Different Take on the Superhero Film - Movie Review
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.

Determined to forge a new legend, the Liangshan Gang have taken their campaign against ‘CR Monster House’ nationwide. Having completed their preliminary research, they set out for a new town, but with the Liangshan Gang’s name now known across the country thanks to media coverage, every pachinko parlour had tightened its security against them. To make matters worse, in that town there was a rogue establishment with links to the police and organised crime… and the Gang were prevented from playing. However, Liangshanbo are not the sort to back down quietly. The enraged members used their own network to gather information on that parlour, quietly—yet fiercely—biding their time for the chance to crush their enemies!!
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
The tale of two friends spans three films and gives wonderful representation for young girls everywhere.
(Disclaimer: Harmful Language) In celebration of Pride Month, Father's Day, and father figures (and whoever supports you), I revisit Moonlight's brief but spectacular character, Juan. With overarching themes tied to masculinity, I reexamine his intimacy with Little.
While Peter’s heroics might have been a bit unrealistic at times due to his lack of experience, I will always support the civilian taking down the establishment.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.