"A man has got to see his face." Horror Noire: A History of Black Horror
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.

Determined to forge a new legend, the Liangshan Gang have taken their campaign against ‘CR Monster House’ nationwide. Having completed their preliminary research, they set out for a new town, but with the Liangshan Gang’s name now known across the country thanks to media coverage, every pachinko parlour had tightened its security against them. To make matters worse, in that town there was a rogue establishment with links to the police and organised crime… and the Gang were prevented from playing. However, Liangshanbo are not the sort to back down quietly. The enraged members used their own network to gather information on that parlour, quietly—yet fiercely—biding their time for the chance to crush their enemies!!
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.
As I typed this, Chris Evans was being “cancelled” on Twitter. I did a little research on this since I always thought Chris Evans was well-received. It turns out the backlash is because of a white savior movie he made called Red Sea Diving Resort.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
A trouble-making teenager spends the summer working at a Southern California beach learning about responsibility.
Evan Goldman, a child of divorced parents, is planning a memorable bar mitzvah for his 13th birthday. However, middle school has a few obstacles along the way.