Imah's boss Danapati rapes her. She tries to hide the fact from her husband Imah, but soon strange things start to happen as people are found dead with holes in their backs. People believe it is the work of the ghost Sundel Bolong.
The 2019 film, Vai, takes us through eight stories across the islands of Oceania. The settings are unbelievably beautiful, the cast is beautiful, the languages are beautiful, and the stories are beautiful…but heartbreaking.
I’m still trying to comprehend the psychological and moral implications of their fascination with each other, or why their almost written-in-the-stars depth of connection makes so much sense.
A 3D animated film centered on chasing fame in the humble stomping grounds of middle school. Unfortunately, while the protagonist dreams big, the plot falls short and fails to capture even a semblance of diversity.
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.
Monster's plot is built around Steve Harmon's false accessory to felony murder accusation, and the anxiety and desperation experienced by him during incarceration and the corresponding trial.
This HBO mini-series asks why a young white man turned to violence and finds no easy answers. But why do we only ask questions about certain kinds of killers?
