The Legend of Jedediah Carver (1976)

The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.

The Owl House has swiftly become one of Disney’s beloved cartoon series.

A successful author’s life is upended when she finds herself on a plantation straight out of the antebellum south.

A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.

'Young Royals' is a great example of positive gay representation in its two main protagonists, but the supporting characters are often frustratingly selfish.

“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”