Hapless Depression-era gangsters Al, John and Jack find out their boss wants to get rid of them and come up with a plan to sell him to the FBI, but Al's short-term memory loss could make it difficult.
Massimo Venier, Aldo Baglio, Giacomo Poretti, Giovanni Storti
Director
Aldo Baglio
Al / Herbert
Giovanni Storti
John
Giacomo Poretti
Jack
Aldo Maccione
The Boss
Antonio Catania
Fred, the cook
Giovanni Esposito
Frank "Contropelo"
Ivano Marescotti
Police Captain
Frank Crudele
Sam "Mani di merda"
Giovanni Cacioppo
Tom "Schiena di legno"
Paolo Dell'Orto
Null.
Marco Beretta
Ben
Escape The Field is a serviceable horror thriller. The characters are easier to remember as horror character tropes. As I wrote this review, I only remembered the characters by their tropes: #FinalGirl, #Everyman, #Badass, #MeanB*/SexyGirl, #Realist/BlackLesbian, and #TheNerd.
A fun-loving story focused on surviving middle school and tailor-made for its target audience. "The Diary of a Wimpy Kid" follows the paradox of finding true friendship and securing popularity no matter what it takes.
Dracula evolved from a person to a monster and then from a monster to a person.
Make no mistake about it, Gilligan has created a continuation that earns its place in the annals of Breaking Bad lore. El Camino isn't a forced entry in an otherwise brilliant world of fiction. This is a satisfying take, which manages to give closure to an iconic character of fiction.
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.