A Tale of Two 'Scenes from a Marriage'
That gut-wrenching feeling you have while watching it is okay but needed, and you, the viewer, will be okay.

On a country road, Irina hits a dog and brings it to its owner Mikhail. His eight-year-old son Dima, who has been silent for a year due to psychological trauma, mistakes Irina for his dead mother. It’s time for Irina to leave, but Dima begins to become hysterical, and Mikhail, fearing that he will shut up again, forcibly holds Irina back. She becomes a prisoner in their house.
That gut-wrenching feeling you have while watching it is okay but needed, and you, the viewer, will be okay.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
That feeling in your gut which tells you that there’s something out there you should look for and make your own, is what the power represents
There's no hiding the horrors of war in this inspiring story of survival
Poor Black characters are usually surrounded by crime and violence, while poor White characters are portrayed as noble and hard-working.
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.