Is It Still Possible to Achieve a Happyend Nowadays?
Neo Sora left a realistic and yet hopeful notion for the near future and the now.
The Lawless Breed (1953)
After being released from prison, ex-gunfighter John Wesley Hardin hopes to have his autobiography published in order to rehabilitate his tarnished reputation.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
After being released from prison, ex-gunfighter John Wesley Hardin hopes to have his autobiography published in order to rehabilitate his tarnished reputation.
Rating:NR
Genre:Western
Written By:Bernard Gordon
In Theaters:1/3/1953
Box Office:
Runtime:83 minutes
Studio:Universal International Pictures
Cast
Raoul Walsh
Director
Rock Hudson
John Wesley Hardin
Julie Adams
Rosie McCoy (as Julia Adams)
Mary Castle
Jane Brown
John McIntire
J.G. Hardin / John Clements
Hugh O'Brian
Ike Hanley
Dennis Weaver
Jim Clements
Forrest Lewis
Zeke Jenkins
Lee Van Cleef
Dirk Hanley
Tom Fadden
Chick Noonan - Undertaker
Race Gentry
Young John Hardin
Richard Garland
Joe Clements
Articles You May Like
The First Asian-American on US Currency: Who's Anna May Wong?
Anna May Wong was a talented actress and a fashion icon and still had to fight for everything she had due to hatred and racism.
All Eyes are on 'KIMI'.
KIMI is the main character of this film and as much as I wish it was Angela Childs played by Zoe Kravitz, it isn't. KIMI is a smart device that works not unlike Amazon's Alexa and Google's Nest assisting in anything from home purchases to music playing all under the guise of only activating when in use.
The Phoenician Scheme: A Man of No Identity
Wes Anderson offers a light-hearted comedy in the Middle East centering around Catholic motifs.
Terminator: Dark Fate - Empowering Women, but a Disappointing Sequel in Arc
Overall, “Dark Fate” is a run-of-the-mill flick. Together, Reyes and Davis have excellent chemistry, but their characters’ story is nothing new, lacking surprise and deep emotion. During the middle points, the film drags considerably, and when the action hits, it feels consistently tight, eliminating the rhythm and fluidity of conflicts.