"Little Woods: A Powerful New Take On The Western Genre
'Little Woods' rethinks the Western genre and examines the misogyny and classism inherent in the healthcare industry.

During the Russian invasion of Ukraine, Ángel Flores, a promising Spanish actor returns to Spain to fulfill the last dying wish of his theatre master Miguel Lama. Ten years earlier, as a result of his personal tragedy, Ángel had escaped to Mexico where he had become a TV soap star. Miguel Lama’s last wish for Ángel is to travel to a remote monastery up in the mountains of Northern Spain and there to read each page of Dostoyevsky’s thousand-page-novel The Brothers Karamazov three times, then to come to his graveside in the monastery cemetery every night to tell him about the progress made in reading the novel. This mysterious experience reveals the secret of Ángel’s tragedy and helps him understand the role of reading in healing inner personal traumas. Ángel also learns that no dictator in the East, West, South or North who destroys his own people and neighbors will be able to eliminate the importance of authentic literature as the cornerstone of humanity.
'Little Woods' rethinks the Western genre and examines the misogyny and classism inherent in the healthcare industry.
Who knew a drunken game of truth or dare could launch one of the most chaotic rom-coms of the year? The Threesome takes Connor’s fantasy night with Olivia (Zoey Deutch, in peak queen-of-indie form) and Jenny (Ruby Cruz) and flips it into a deliciously messy nightmare when both women end up pregnant. What follows isn’t cheap comedy—it’s a whip-smart, heartfelt exploration of love, consequence, and the beautiful disasters we call adulthood.
A young woman finds herself trapped in a crossfire of awkwardness during a nightmarish dinner party with her boyfriend's dysfunctional family.
In all honesty, “Black and Blue” is a satisfying experience, complete with solid craftsmanship. With the help of cinematographer Dante Spinotti, Deon Taylor (the director) creates a murky, lived in atmosphere.
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.
Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.