The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

Germans come amid snow and winter. In the village only people remained are women, that fight until wounded partisans, sheltered in the village, will retreat deeper and snow will cover their tracks. Face to face with the Germans and their control of the village, women, led by mother Shano and mother Mara, depart to make a pile of wood, but actually bring bread and food to the partisans.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
The Mandolorian has a more nuanced and commentative take on masculinity that refrains from praising the toxic traits associated with the social category, while also showing a more positive and transformative representation of masculine characters.
This indie short documentary archived the story of a staple rock band as well as an essential part of local history.
A brave Indian woman rises from an oppressive background to become an inspired leader for women and men alike around the globe.
Sinister and suffocating, 2022's The Black Phone delivered more than just scares - it brought atmosphere, depth, and a villain audiences won't soon forget.