Louis Theroux Takes Us "Inside the Manosphere" and It's Even Scarier Than You Expect
Leveraging the cockiness of many of his interview subjects, Theroux created an exposing documentary that shows just how scary these sections of the internet can be.

Sylvain, a young man, devotes his life to small, local movie theater destined to be shut down. He lives in the theater's basement and is the theater programer, projectionist, and ticket seller. Each night, after the last screening, he leaves the building to carry out a ritual killing.
Leveraging the cockiness of many of his interview subjects, Theroux created an exposing documentary that shows just how scary these sections of the internet can be.
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These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
Portraying how easy it is to be an ally heavily benefits the majority audience. The more we encourage it, normalize it, and give people the tools to become one, the sooner we can co-exist peacefully.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
Did you know that Disney heroes and villains have kids? Check out the Descendants series.