'Don't Breathe 2,' the Horror Sequel That Offers a Rapist an Undeserving Redemption Arc
'Don't Breathe 2' is a sequel that forgoes almost everything that made its predecessor good, and asks audiences to root for a rapist on top of that.
The Last Princess (2016)
Under the oppressive Japanese colonial rule, Deok-hye, the last Princess of the declining Joseon Dynasty, is forced to move to Japan. She spends her days missing home, while struggling to maintain dignity as a princess. After a series of failed tries, Deok-hye makes her final attempt to return home with help of her childhood sweetheart, Jang-han.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Under the oppressive Japanese colonial rule, Deok-hye, the last Princess of the declining Joseon Dynasty, is forced to move to Japan. She spends her days missing home, while struggling to maintain dignity as a princess. After a series of failed tries, Deok-hye makes her final attempt to return home with help of her childhood sweetheart, Jang-han.
Rating:
Genre:Action, Drama, History
Written By:Hur Jin-ho, Seo You-min, Choi Geun-ho, Kim Hyeon-jeong, Lee Han-eol
In Theaters:9/9/2016
Box Office:$39,695,124
Runtime:126 minutes
Studio:Lotte Entertainment, DCG Plus, Hive Media Corp, Ho Film, CJ Entertainment
Articles You May Like
‘Fatherhood’ is the Most Wholesome Film to Come Out of 2021 So Far
'My Adventures with Superman' Premiere Review.
The Last Son of Krypton returns as the kind-hearted, blue-eyed boy scout we all know and love.
Okja (2017) Review
This story solidified my choices to consume a more plant-based diet and nearly made me cancel my subscriptions to big corporations like Amazon. The narrative was perfectly crafted and on par with Bong Joon-Ho’s other major works; Parasite and Snowpiercer.
'Black as Night': Juxtaposition of Anti-Blackness With Monstrosity
At first glance, Black as Night is a strange title choice for a film about vampirism in post-Katrina New Orleans. However, the title alludes to the world's anti-black and colorist messages.
Avatar: Still a Groundbreaker in CGI, but Not in Story
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.