The plot of the play 'The Last Ones' at the Gogol Theatre centers around the Kolomiytsev family. Their home resembles the ruins left after a bombing, and the characters themselves appear as the last survivors of a worldwide catastrophe. The appearance of their house symbolizes the destruction of age-old foundations and family traditions. Despite the fact that some of the characters make timid attempts at reconciliation and family reunification, singing songs around the campfire in unison, it is clear to the audience that the rift is inevitable and unavoidable.
We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.
“And I think to myself….what a wonderful world”. Louis Armstrong sang about this notion via his classic 1967 song, an ode to witnessing elements of our life that should be but some reminders of exactly what that concluding line of each verse indicates. Now we see our contemporary realities and, just being honest, it makes a sentiment like this seem SO overtly far away….perhaps even impossible….to accept or believe could be. It sounds harsh, but again, so much of what is occurring speaks not to beauty, but bedlam.
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.
"Beef" is a new dark comedy with a near entire Asian-American cast
“Reboot” can be crass and has much room to improve, but with investments of time and care, could flower out of the seed of a vision.
Growing up without a dad, I got a lot of my fatherly advice from the prototypes I saw on the silver screen. It’s these characters and films that gave me a glimpse into a dynamic I had never known but also made me realize that I was missing out. Here are my top 10 paternal films.
