Last Christmas: Emilia Clarke Stopped Eating Hearts and Decided to Win Them.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.

In a small seaside town, a single father called Lao Yu is driving a sightseeing car; Jian Rue and Fang Da, a couple wants to have a child; brothers from the car repair shop... These little people living on different lives at the bottom of society, are set to a life threatening journey on day with typhoon. On the edge of the cliff of life and death, death is getting closer, time is slipping away, and the chance of survival is getting smaller and smaller... How should they compete for the remaining chance of survival?
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.
Overall, Cruella stands above the other Disney retellings. Its dark and bold, and that is exactly what these retellings should be. Emma Stone continues to prove she's one of the finest young actresses working today, and Emma Thompson gives one of the best villain performances in the last decade. The fashion is stunning, the dogs are adorable, and the story is wildly vibrant and original. It's classic movie fun, and it shouldn't be overlooked.
Coverage from the Austin Film Festival, highlighting some panels and films that emphasized the importance of diverse and inclusive storytelling.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
When Juana tries real sushi for the first time, she is immediatley smitten by it and discovers a passion she never knew she had.
'Pariah' tells a powerful, mesmerizing, and unflinchingly honest story of identity.