'Pain Hustlers' (2023): An Opioid Crisis
What starts off as a success story for a single mother living below the poverty line, slowly begins to weave itself into a tangled web of greed, guilt, and destruction.

Kenya, 2050. The reserve has dwindled to half its size, under pressure from farmers who have enlarged their territory at the expense of the animals. Among the latter, the last giraffe just died. To be able to admire this fabulous beast again, you’d have to go back to 2016, when it became clear that the biggest living land animal was threatened with extinction due to poaching and loss of habitat. Thanks to some spectacular images of this enchanted place with its abundant biodiversity, this film offers a new type of documentary experience, to understand how this symbol of the African continent could end up disappearing from the planet. By imagining its future, it reveals to us the reality of life in the wild and the daily life of this animal, few of which reach adulthood. We follow in the footsteps of Twiga's family, one of the last baby giraffes, who attends helplessly at the death of his mother. A heartfelt tribute to this mammal whose unique anatomy continues to fascinate.
What starts off as a success story for a single mother living below the poverty line, slowly begins to weave itself into a tangled web of greed, guilt, and destruction.
Those perfect Summer or Fall days. The sun is shining, the temperature is JUST right, and you've got nothing else to do. Therefore, isn't it time to get outside and take a nice stroll through the park, or along the shoreline (should you be that fortunate), or even just around the neighborhood? Sure. BUT.....if one lives in the America found in the newest film adaptation of the work from horror author/cultural icon Stephen King.....doing this SHOULD be the LAST thing you hope to find yourself engaged with.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.
A man invents the internet with the help of an otherworldly force. But he soon learns that not all is what it seems. A delightful sequence of images for a delightful fictional story about what lies behind.
Pressure is an unambiguously great movie, lead by convincing performances, a well-crafted script, good direction, and at least some social awareness.
In 'Little Boxes," an interracial family moves to an all-white town where they face the judgement of others who have never been exposed to people of color before.