“Michael” and the Tension of Lacking Tension
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.

The Emerald City in all its splendor with all the familiar characters so dear to the hearts of children - Little Dorothy, the scarecrow, the woodman, the cowardly lion, and the wizard continuing on their triumphal entry to the mystic city, adding new characters, new situations, and scintillating comedy. Dorothy, who has so won her way into the good graces of lovers of fairy folk, finds new encounters in the rebellion army of General Jinger [sic] showing myriads of Leith soldiers in glittering apparel forming one surprise after the other, until the whole resolves itself into a spectacle worthy of the best artists in picturedom. Those who have followed the two preceding pictures of this great subject cannot but appreciate "The Land of Oz," the crowning effort of the Oz series.
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.
A consumed-by-rage woman travels from universe to universe to avenge the death of her daughter by brutally killing her murderer over and over again. And that's all that she does.
The concept of male fragility is explored (interestingly, by a male director) in The Sun Never Sets
'Selena: The Series' loses sight of the story's heart: Selena herself.
In 'Little Boxes," an interracial family moves to an all-white town where they face the judgement of others who have never been exposed to people of color before.
Spiral could easily spawn new sequels and will most likely churn a decent profit. Is it a good Saw film? Absolutely. Could it have been revolutionary though? Also yes.