“Michael” and the Tension of Lacking Tension
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.

Bill Snibson, a chancer from Lambeth Walk in South London, is informed that he has been discovered to be the long-lost heir to a title and castle which he can claim provided he is able to convince his new relations that he has enough aristocratic bearing. Things soon begin to go awry however, particularly when Sally, Bill's girlfriend from Lambeth, turns up.
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.
Apatow’s latest film, The King of Staten Island, is no different. The movie tells the story of Scott (Pete Davidson), the 24-year-old son of a deceased firefighter who passed away when Scott was 7
A Christmas tale that everyone is wishing for, and that everyone will remember.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
How powerful can a story be when it is stripped to the bare essentials of just a room, a handful of people and raw human voice?