"Tow" Tells the True Story of a Woman Who Sued the System
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.

Matej and Jenda, two of the eight children of the poor Pelc family in the Giant Mountains, help in a glass works where the oldest brother Francek works. They hide into a tub not to be seen by supervisors checking on the ban of children labor. They miss the Epiphany carol (songs and treats door-to-door) and all neighbor village boys again on them in all the neighbor houses. On their way home they are passed by a fast moving big man with a large backpack. The boys send the customs officers, who are pursuing the strange man, to the opposite direction. The man then thanks them and rewards them the next day. Based on fairy-tales and legends the boys think the man is Krakonos (the giant living and ruling in the Giant Mountains).
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.
As Sexual Assault Awareness Month comes to an end, I’d like to urge viewers and filmmakers to take a long and hard look at how rape is portrayed on screen.
If you mix religious rituals with dark mythology, the result will be effective, and the story powerful in 90% of the cases. That is exactly what happens at the beginning of The Vigil.
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
The Resort has an excellent climax surrounded by disappointments. Somehow, at a mere 75 minutes, this movie still manages to be 70 minutes too long.
Great films not only give us great stories, but also great soundtracks. Here are some of our favorite picks for soundtracks songs.