
In full-on investigative mode, reporters from The New York Times, The Wall Street Journal and Hollywood Reporter doggedly pursue the story of US $3.5 billion missing from a Malaysian wealth fund. They trace the dirty money, via real estate deals and movie financing, back to the top tiers of the Malaysian government. Incredibly (but oh, how fitting!), the audacious swindlers chose to back the 2014 blockbuster The Wolf of Wall Street. Hollywood A-listers, including Leonardo DiCaprio, attended lavish parties hosted to launch the film. The embezzlement was orchestrated by a flamboyant fancier, Jho Low, and Riza Aziz, the stepson of the then-Malaysian Prime Minister. As the truth finally comes to light, assets are frozen and the fall-out begins.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
A summary of the films featured in this annual event taking place in Westchester.
Even now, the well-established Snyder has yet to learn this as he continues to allow misguided decisions to convince him that his projects hold the same kind of intelligent and emotional weight. Army of the Dead is a tonal mess, one that never decides what it’s trying to be, and, for all we know, doesn’t want to decide.
Ditch the lube and get to the point in the raw, honest, cheeky dramedy written and directed by Mark Schwab.
Rare in the days of franchise sequels and indie horror films that dominate the screen in 2026, Netflix’s latest original release, Remarkably Bright Creatures, is a feel-good family movie that leaves nothing to be desired except tissues. Starring Sally Field and Lewis Pullman as two cleaners at a small-town aquarium, Remarkably Bright Creatures reminds viewers that humans are social animals whose strength comes not from our intelligence or our opposable thumbs, but from each other.