Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

The Kiss poster

The Kiss (2001)

With his radio blaring Three Dog Night's "Never Been to Spain," a shirtless man lounges on the hood of his sporty car; he smokes a cigarette as he stretches and shows off his physique. A young woman calls to him from a love seat on the front porch of a large house across the street. She's barefoot, sucking on a watermelon lollipop. He goes over to her and the verbal fencing begins. It looks like it's headed for a kiss, but he's going steady with someone else and she may not be exactly what she seems. By the end, someone has to weigh conflicting information and make an important spring-day decision.
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With his radio blaring Three Dog Night's "Never Been to Spain," a shirtless man lounges on the hood of his sporty car; he smokes a cigarette as he stretches and shows off his physique. A young woman calls to him from a love seat on the front porch of a large house across the street. She's barefoot, sucking on a watermelon lollipop. He goes over to her and the verbal fencing begins. It looks like it's headed for a kiss, but he's going steady with someone else and she may not be exactly what she seems. By the end, someone has to weigh conflicting information and make an important spring-day decision.

Rating:
Genre:Romance
Written By:Anthony Russo, Joe Russo
In Theaters:1/23/2001
Box Office:

Runtime:8 minutes
Studio:Atom Films, A Little Fat Girl Production