The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

The King arrives at Calais and meets various military and civilian dignitaries. He is taken to General Haig's château at Beauquesne where with Haig and the Prince of Wales he meets President Poincaré and Generals Joffre and Foch (Lloyd George is seen arriving also - see notes below). The King visits troops of II ANZAC Corps, a Casualty Clearing Station in Second Army area, a church at Cassel and the Canadian Corps area. At La Panne he meets with the Prince of Wales and the Belgian royal family to present decorations to Belgian soldiers. He tours parts of Second Army area and the Somme battlefield, escorted by General Sir Henry Rawlinson, while the battle is in progress. The King then returns to Calais and crosses the English Channel in safety.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
During the rise of fascism in Mussolini's Italy, a wooden boy brought magically to life struggles to live up to his father's expectations.
The Sandman features a plethora of LGBTQ+ characters and is openly expressive about it!
The legacy of this movie starts off the film series with a bang of magic, plot twists, and battles.
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.