Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

The Kill Five poster

The Kill Five (2002)

The Kill 5 is an ode to Kelly Slater. Kelly has two sick sessions: a mental session and interview about the fun tropical surf in Tahiti, followed by a session at a California surf spot known for its amazing one-of-a-kind wedge. Slater drops in behind the lip over and over again. He pulls off critical turning on a dime, reminding the world once again why hes still the best surfer in the world. The Santa Cruz Harbor section, Tom Curren at his own private surfing spot, Kelly Slater at a secret spot in California, Ratboy in Indonesia and Flea surfing Mavericks all shot in 16mm. And dont forget Shawn Barney Barron pulling off the one-of-a-kind maneuver The Barrel Roll. Barney completes a full 360 standing up inside the tube of a wave. A move that has never been done again.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


The Kill 5 is an ode to Kelly Slater. Kelly has two sick sessions: a mental session and interview about the fun tropical surf in Tahiti, followed by a session at a California surf spot known for its amazing one-of-a-kind wedge. Slater drops in behind the lip over and over again. He pulls off critical turning on a dime, reminding the world once again why hes still the best surfer in the world. The Santa Cruz Harbor section, Tom Curren at his own private surfing spot, Kelly Slater at a secret spot in California, Ratboy in Indonesia and Flea surfing Mavericks all shot in 16mm. And dont forget Shawn Barney Barron pulling off the one-of-a-kind maneuver The Barrel Roll. Barney completes a full 360 standing up inside the tube of a wave. A move that has never been done again.

Rating:
Genre:
Directed By:Joshua Pomer
Written By:
In Theaters:1/1/2002
Box Office:

Runtime:48 minutes
Studio:

Articles You May Like


"Him" - All Flash, No Game

Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.

Nilufer Ozmekik