‘Booksmart’: A Fun Coming-of-Age Comedy
Wilde’s coming-of-age comedy directorial debut is simultaneously hilarious and entertaining, and remarkably heartfelt and relatable.

The Kill 5 is an ode to Kelly Slater. Kelly has two sick sessions: a mental session and interview about the fun tropical surf in Tahiti, followed by a session at a California surf spot known for its amazing one-of-a-kind wedge. Slater drops in behind the lip over and over again. He pulls off critical turning on a dime, reminding the world once again why hes still the best surfer in the world. The Santa Cruz Harbor section, Tom Curren at his own private surfing spot, Kelly Slater at a secret spot in California, Ratboy in Indonesia and Flea surfing Mavericks all shot in 16mm. And dont forget Shawn Barney Barron pulling off the one-of-a-kind maneuver The Barrel Roll. Barney completes a full 360 standing up inside the tube of a wave. A move that has never been done again.
Wilde’s coming-of-age comedy directorial debut is simultaneously hilarious and entertaining, and remarkably heartfelt and relatable.
The sequel to the 2010 live-action movie focuses on sibling rivalry.
This thrilling film about feminine rage and male hostility is an incredible depiction of the fragility of the male ego.
“Nobody 2” is the kind of sequel you expect to roll your eyes at—and then end up grinning through the whole thing. Bob Odenkirk proves once again that an ordinary-looking guy can be the most entertaining action hero alive, battling cartels with harpoons, deep fryers, and pure chaos. Toss in Sharon Stone as a delightfully over-the-top villain, and you’ve got 89 minutes of wild, joyful mayhem that reminds you why going to the movies is just plain fun.
Shadow & Bone excels in natural story representation with powerful centering of culture. Jessie Mei Li stars as Alina Starkov, the feisty cartographer with kindness, innocence, and integrity, who comes to be revealed as the legendary summoner of light.
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.