
Lithuanian immigrant, Jurgis Rudkus, gains a job in the Chicago stockyards. Once working at the stockyards he meets and marries Ona. But due to cut backs at the stockyards, loses his job, and they fall into financial hardship. Ona, in order to get money to feed their child, engages in sexual activity with her husband's foreman, Connor. Connor, rapes her. When Rudkus finds out about the affair, he throws Connor into a cattle pen where he is killed. While in prison Ona dies. When Rudkus gets out of prison he becomes an advocate for women via the Socialist Party. Considered a lost film.
It's not love. It's Obsession. The hook of this movie is the tension between wanting to be loved and the fear of being all-encompassed by that love. It plays on men’s typical (though certainly not universal) inner-conflict
The 'Shaft' remake fails to capture Blaxpoitation's rebellious spirit.
Wes Anderson offers a light-hearted comedy in the Middle East centering around Catholic motifs.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.