The Magician's Elephant Will Lead Him to His Sister
The Magician's Elephant has a strong multicultural cast and a heartwarming story about bringing two long-lost siblings back together
The Island (1980)
David Nau leads a band of modern day pirates who raid yachts and sail boats of people on vacation in the Caribbean. When reporter Blair Maynard and his son arrive to investigate the mystery of the disappearing boats, Nau and his band of raiders decide to induct them into their tribe.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
David Nau leads a band of modern day pirates who raid yachts and sail boats of people on vacation in the Caribbean. When reporter Blair Maynard and his son arrive to investigate the mystery of the disappearing boats, Nau and his band of raiders decide to induct them into their tribe.
Rating:R
Genre:Thriller, Mystery, Action, Adventure
Written By:Peter Benchley
In Theaters:6/13/1980
Box Office:$15,700,000
Runtime:114 minutes
Studio:Universal Pictures, The Zanuck/Brown Company
Articles You May Like
Why Wish and similar Disney films don't work
Disney movies have taken a bit of a downward turn recently. How come?
“Keanu” Paved the Way for “Get Out”
Jordan Peele's turn to horror with "Get Out" isn't as unexpected as it may seem. He primed his fans for a disturbing and nuanced exploration of racism with his work on "Keanu" and "Key & Peele."
Jumanji: A World of Psychological Horrors
“Jumanji - a game for those who seek to find, a way to leave their world behind...” A nostalgic classic that remains unnerving, "Jumanji" draws audiences into a chilling adventure.
The Shameful Criticisms of 'Turning Red'
Turning Red' has received hate for being 'unrelatable' while dealing with one of the most human experiences. Despite the Turning Red controversy that it's unrelatable, it is yet another Pixar classic that will inevitably stand the test of time.
The Rape Post-Memory in 'Grbavica'
I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it.