
An industrial warehouse is turned into a stage where a group of ordinary professionals are assembled daily to perform different tasks with apparent normality. Meanwhile, from the darkness of the auditorium, dozens of visitors observe the "wonderful" work show.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
‘A Good Person’ makes it clear that forgiveness is hard.
The Mandolorian has a more nuanced and commentative take on masculinity that refrains from praising the toxic traits associated with the social category, while also showing a more positive and transformative representation of masculine characters.
Wacky antics ensue when a 100-year-old Jewish man wakes up from a pickled hibernation in the modern world.
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.