How to build a home in a place called nowhere? Kakuma refugee camp, built in the middle of the Turkana desert (Kenya), is the fastest growing city in the region. Many of its new arrivals are children sent out of conflict zones by their parents. Against all odds, these children grab all opportunities in the camp to rebuild their life. While waiting for her mother to return from South Sudan, Nyakong (8) starts to go to school. Slowly she creates a new home in the camp. At the age of 17, teenagers like Claude and Khadijo consequently compete for international scholarships, get a job, even build their own house. Filmmaker Lieven Corthouts decided to stay in one of the toughest places on earth and make this camp his home. While filming his friends for more than 4 years, he unveils the accomplishments of these strong, smart children and the true dynamics of a refugee camp. Can Kakuma really offer a future? Or is it just a waiting room, where the only option is to plan your journey to Europe?
As noted in the headline, I didn’t like this movie. Not to say it’s the worst thing ever, but it’s just…meh. Nothing much to it. Very generic. No surprises. At the very least, the cast is diverse so I’ll give it that.
Remember when there was this amazing comedy titled "National Lampoon's Vacation"? To this day, it is a true classic of the genre and certainly put a new spin on precisely what KINDS of insanity could occur when taking the fam on the road. Then, like with so many successful films, there was the sequel (which for me was even MORE of a classic than the original!). However, the third film emerged....and then a fourth. Suddenly, the luster was gone and disappointment set in.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
In Jeymes Samuel's history-infused, neo-spaghetti western, Black women are center stage with a fresh hip hop mixtape keeping rhythm in the backdrop.
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.
“Nobody 2” is the kind of sequel you expect to roll your eyes at—and then end up grinning through the whole thing. Bob Odenkirk proves once again that an ordinary-looking guy can be the most entertaining action hero alive, battling cartels with harpoons, deep fryers, and pure chaos. Toss in Sharon Stone as a delightfully over-the-top villain, and you’ve got 89 minutes of wild, joyful mayhem that reminds you why going to the movies is just plain fun.
