When the American ambassador to Italy is kidnapped, a rogue U.S. government agent makes demands that send the President and the C.I.A. scrambling to protect a mysterious covert government project involving memory transference. With his brain recently scanned into a hard drive, the ambassador's knowledge of all international undercover agents becomes a hot commodity on the black market and only one scientist has the know-how to implant that data into another host. With a plethora of double agents in the mix, the C.I.A. dispatches Agent John Ramsay to find and secure the scientist. But, knowing who to trust becomes virtually impossible as corruption and treachery trickle down from the highest levels in this pulse-pounding spy thriller.
Michael Fredianelli
Director
John Ozuna
Agent Ramsay
Jeanne Young
Hauser
James Allen Brewer
President Baker
Joseph Walters
Agent Bailey
Joseph Camilleri
Agent Sanchez
Dialy Paulino
Agent Altea
Aaron Stielstra
Duster
Alphonso Thompson
Daniel Jones
Todd Risby
Agent Wright
Marco Stefano Speziali
Ambassador Spinelli
Rowan Ralston
Kyle Walsh
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.
One of the reasons that people with albinism have a difficult time being seen and represented in media is probably because there is a small percentage of them.
Dramatic Horror!!! Wait, what?? Did you say "dramatic horror"?? IS there such a thing?? I mean, TRULY. Well, if San Francisco-based, Pakistani-born independent filmmaker Dr. Hassan Zee and this film critic have anything to say about it, there IS such a beast as experienced through the director's newest feature film set to officially debut October 4th in the City by the Bay. Folks, indie film will always be a bastion of experimentation and originality, and this film for me fits that bill.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.
In the shadow of towering film production companies lived dozens of grindhouses, genres, and low-budget films deemed too “unclean” for the modern film audience.
The second entry of the Five Nights at Freddy’s series released recently, garnering very divisive reviews amongst both fans and critics.