'The Lego Movie' Brilliantly Subverts Movie Tropes
The Lego Movie achieves great humor and story with a combination of childish comedy, adult references, irony, and by subverting popular movie tropes.

Revolves around Marcos, a thirty something year old man largely unremarkable but for the fact that he managed to escape an epidemic of the undead sweeping through Mexico City - and, indeed, the world - by taking flight and surviving as best he can in the remote hill country. It is there that he meets and takes up with the oafish Renato, young mother Claudia and her young daughter Zoe. The rules to survive are simple. Leave no trace, make no sound and leave no odors behind. The undead, you see, hunt by sound and smell. And no matter how careful Marcos and his group are, the undead are ranging farther and farther afield looking for food as the population in the city dwindles. It is only a matter of time before they are found.
The Lego Movie achieves great humor and story with a combination of childish comedy, adult references, irony, and by subverting popular movie tropes.
Even now, the well-established Snyder has yet to learn this as he continues to allow misguided decisions to convince him that his projects hold the same kind of intelligent and emotional weight. Army of the Dead is a tonal mess, one that never decides what it’s trying to be, and, for all we know, doesn’t want to decide.
A commentary on the exploitation of the elderly fueld by the inherent greed of capitalism.
Films and TV series often tend to misrepresent or not acknowledge bisexual characters, but recent trends show that bi-erasure is now under deserved scrutiny. So, I’m genuinely happy about the direction bi-representation seems to be taking.
Ian and Barley embark on a quest to find a magical gem to restore their father back to life.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch