Asha's 'Wish' (2023)
Asha, the main character, is a biracial woman who discovers the power of magic wishing dust.

The relationship between Sasha and Vadim has reached a crisis and it seems that the spouses are connected only by discontent, embitterment and irritation. The never- ending quarrels are not even soothed by great trouble: from the summer house their son Grisha, who has overheard how grandmother and grandfather discussed the future divorce of the parents, has run away. The search for the boy leads the protagonists into the forest.
Asha, the main character, is a biracial woman who discovers the power of magic wishing dust.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
It is as bad as your remember, and you are fortunate if you've never watched it. Keep it that way!
The message to take away from 'Causeway' is that toxic masculinity can manifest in anyone, no matter what their gender identity is.
Friendships are tested when two girls have a crush on the popular boy at school.
A film about family and sacrifice... and carnivorous locusts coming after you.